It's been theorized that Leonardo da Vinci hid clues in his paintings. As an artist, this was fascinating and led me to shine a light on what Leonardo may have been hiding in two of his most iconic works of genius: "The Last Supper" and "Vitruvian Man."

Over 500 years ago, in about 1490, da Vinci meticulously drew "Vitruvian Man."  It's said to be an analogy of the relationship between man and the Universe.

Then in 1495, Leonardo began the fresco painting of "The Last Supper" on a wall instead of a canvas or board, perhaps so all could see his magnificent masterpiece and no one could hide it!  It is housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.

One question that has long been posed, is why da Vinci painted Christ without a chalice in "The Last Supper"?  My answer is, he was leaving a clearly visible clue. It's obvious, but leads nowhere on its own.  It isn't until "The Last Supper" is seen as the door, with "Vitruvian Man" as the key does the solution start to take shape.

"Leonardo's Light," my 3-minute video (above) shows how: By merging and properly aligning "The Last Supper" and "Vitruvian Man," Christ's missing chalice/vessel is revealed as man.  As if that were not astonishing enough, Christ's head gloriously appears-- perfectly positioned-- on the heart of man.

Man with Christ consciousness: Leonardo da Vinci has given us the spark that turns on the lamp of wisdom for the world, the union between the physical and the Spiritual.

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Leonardo wrote: "Would that it might please our Creator that I were able to reveal the nature of man and his customs (The Last Supper) even as I describe his figure (Vitruvian Man)." 

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Merry Christmas World. 

MEGA

Make Earth Great Again!